Spaces
Every room is a
different problem.
A speaker does not have a sound. A room does. Each space type gets its own coverage study, its own noise floor and its own control logic.
A speaker does not have a sound. A room does. Each space type gets its own coverage study, its own noise floor and its own control logic.
The hardest brief in the business. The dance floor needs impact, the bar needs to stay conversational, and the building next door needs to hear nothing at all.
Directivity aimed at people, not at the ceiling.
Separate levels and sources per area.
An isolated feed the DJ can actually work on.
DMX scenes sequenced with the music.
Set to the licence, so the lease survives the season.
When guests have to shout, they leave early. Even coverage at low level, with the music present everywhere and loud nowhere.
Close spacing, low level, no hot spots.
Warmth under the music without rattling the glassware.
Open, service, peak hour and close, on one keypad.
Colour temperature that drops as the evening moves.
Hidden inside ceiling rafts and upholstery.
Level at the squat rack has to match level on the cardio deck, the low end has to be felt, and the flat upstairs has to stay asleep.
Zoned by activity area, rated for continuous duty.
Mounted on isolators so energy goes into the air, not the slab.
Instructor microphone, ducking and independent control.
Source and volume per zone from the front desk or an app.
Floating floors and decoupled mounts where the structure demands it.
Not a display with speakers around it. Seating, sightlines, treatment, lighting and sound are all set on the same drawing, before the joinery is cut.
Bed and height layer positioned to the seating plan.
First reflection points, rear absorption and bass management.
Screen sized to viewing distance, not to the wall.
One keypad takes the room to movie mode.
Time alignment and correction per seat.
With a guest driving it, in front of a client, with nobody from IT in the room. That is the only test that matters.
Certified bundles, standardised across the floor.
Lobes steered to the seats, not to the air conditioning.
Guest and staff modes, no dongle hunt.
Per room, tuned after the furniture arrives.
Speech privacy on the open floor, panels at the door.
Large volumes, hard surfaces and one job above all others. Intelligibility, not volume, is the specification.
Directivity controlled, time aligned to the stage.
Wireless frequencies planned so nothing drops mid speech.
Per microphone, so the gain before feedback is usable.
Sized and positioned for the back row and the balcony.
A clean broadcast mix, separate from the room mix.
Sixteen space types and counting, across hospitality, commercial, institutional and residential work.
Even background music, signage and a paging path that is intelligible when it matters.
Banquets, lobbies, pools and terraces on one multi zone system with scheduled scenes.
Public address, emergency paging, classroom audio and clear speech in hard rooms.
Weather rated distributed audio, effects lighting and zoned control across large sites.
Tell us the space type, the area and the timeline. We will come back with a coverage approach and a budget range before you commit to anything.